Lancashire and Cheshire Woodcarvers
 St Bonaventure Carving  by Mark Carroll

Mark Carroll is an American carver I came across on the net on http://www.thesculpturestudio.com 

Do look him up, he does some interesting stuff.    The following has been taken from his web site

     This page documents the stages in the creation of a woodcarving of the 12th century scholastic theologian and teacher, St. Bonaventure.     The statue, hand-carved in basswood and standing four feet in height is a commission for St. Bonaventure Church located in West Seneca, NY

He was born in Italy in 1221 with the baptismal name, John. It is thought that, as a child, he was cured  from a grave illness through the intercession of St. Francis.
    His admiration for the saint led him to join the Franciscans. He changed his name to Bonaventure upon entering the Order of Friars Minor in 1238. He continued his studies at the University of Paris with the founder of the Franciscan School.
   In 1257, he was elected Minister General of the Friars Minor.   Bonaventure was requested to write a "legend" of St. Francis, which became the saint's official biography. The study of the saint deepened his own mystic life, as expressed in his writing "Journey of the Mind to God."
   The degree of Doctor of the Church was bestowed on him and Thomas Aquinas in 1267. Six years later,  he was created Cardinal-Bishop of Albano by Gregory X. He died on July 15, 1274
Bonaventure was canonized in 1482 by Pope Sixtus IV.
        .
Tightening the clamps on the
3 3/4" wide basswood boards.
   
The finished 4' high block ready for carving

After gluing on a few more blocks for the arm and hat, I begin carving.
   As I remove more wood, the forms begin to appear. The large forms must be established first before any details can be added.
Proportional calipers are used to scale the 3' maquette up to the 4' woodcarving. I also modeled a full-size head in clay to to help accurately carve the details of the face.
The hand is added separately so that the wood grain is going in the direction of the fingers.
The roughing-out  is completed, the large forms have been blocked in, the smaller areas can now be established.

The sculpture is nearing completion.  It is time to concentrate on the details in the hands and face.

The last chips have been shaved off and the carving is completed.
I sanded the face and hands, but left the chisel marks on the rest of the figure for texture and retain the character of a woodcarving.
Thin layers of oil paint were applied, then whipped away to give the appearance of a stain, allowing  the wood grain to show through color.
After the oil paint dried, I applied a coat of paste wax for a hand rubbed finish.
The statue is installed in the church.
After the dedication ceremony (July 14, 2000), parishioners come up for a closer view.

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