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I prepare to carve a snowy owl life size, a project for some months. This
is a summary sketch for the first cut.
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I used a summary sketch, is just for giving an idea for the
first cut, because the block past only in one side in the saw ....
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This block with my kids, is in Tupelo with a size of 12x12x24 inchs, it very soft and light |
Because I don't carve this bird in my hand, I use old tips
from Bruce Buck,a hard wood.
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I just fix the support under the bird with some screws, and I put it in a bench.
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This is the first view of the drawing, I'll carve the owl
with the left open wings, and the head turn to the right, over the shoulder |
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I draw directly on the wood, the top of the head, for cutting it with the chain saw
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In the first hours of this piece, I work with a chain saw and a
grinder with a sand paper of 24Grit |
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I cut the head near the first drawing, but remember to keep
enought wood for the next step
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This is another view, remember the level is the table, it
the only reference you have, always keep the saw vertival.
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On the first pics, you can saw some line, the most
important is in the middle of the body, for a good symetric bird
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Now I begin the carving with the grinder, I just give
round the body and prepare to find the bill and the head.
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| I begin with the most biggest piece with the head, when the head is located, I pass to the body. |
16 Other view, with a temperature around -10C. |
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| I work outside because the grinder is too |
On this one you can see the place for the wings and the very round head. |
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| Now the head is found, I don' t give more detail for now, I wait until I get into the studio. |
I begin to find the wings. |
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| Other side, you can see the shoulder and the open wings |
Other view from the front |
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| Now I think you can see the bird ..... After few hours only |
I try to give the better shape as
possible and I 'll pass more hours with the design of the feather and
the painting, remember the better shape you have the better carving you
have. |
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| A view to the future open wing |
Now I prepare the wings and the under tail. |
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| Other view
from the wing, keep enough wood, on the body. I keep
0.25inch of wood, near the tail and the wings, 1 inch. |
The last view from the winter work |
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| I prepare the head for setting the eyes |
The eyes of a owl is very big and difficult to place symmetrically, take care |
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| The first view with the base |
I try to carved out side in the spring, near my pond. |
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| The most important part for me is the eyes, the look. The more successful the eye, the better your bird look |
I prepare to carve the rocks and the base |
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| Now after many hours on labour, you can see the bird on the base, the mounting is 37 inchs high |
I begin to carve the feathers on the head |
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| This is the texturing before the burning |
With this one you can see all the feathers finished ready for burning |
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| A close up on the face and the eye |
The secondaries and primaries |
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| The scapulars and the cape, You have a impressionof the feathers being blown up |
The burning on the face disk
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| A very close up on a feather, Normally, I burn over 100 lines in an inch |
The underlining on the wing |
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| The open wing, you can see the carving detail with the light |
This is the point I use for the burning, I use detail master and colwood |
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| Now the burning is finish. |
Another view |
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| Another view |
I'll paint this
bird with acrylic, I use Jo Sonja's . Normally I don't use gesso with
Teekay' s but with this one I have and have saved a coat of paint. |
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| This is the view
on the first painted wing and the breast. I forgot to take picture to
the wing after the first coat , but the breast is only with gesso |
Part view on the final piece |
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| After many hours of works, on many months |
Now with this pictures , you know all the steps of a wildfowl carving |
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| I' m very happy to the result |
Now it the time for shipping |